Course Code and Course Title
[CHES2105/CCSS2030] Modern Chinese Literature
Time and Venue
Wed 8:30am - 11:15am
CKB_109
Instructor
Dr. Yunwen Gao
Course Description
Critical changes in literature and culture took place across the twentieth century in China. These changes were in response to the self-strengthening demands of young revolutionaries after decades of war and national humiliation. Over several decades, Chinese writers experimented with Western literary genres, including realism, romanticism, imagism, modernism, critical realism, magical realism, postmodernism, and so on. Chinese writers constantly probed the issue of literary modernity and attempted to redefine China and Chineseness by incorporating Western influences into classical Chinese aesthetics.
This class explores Chinese literary tradition in the twentieth century and early twenty first century through fiction (novels, short stories, poetry, etc.) and films from Hong Kong, Taiwan, and Mainland China. Major themes we will discuss include socio-political reformation, gender relations, urban space, the environment, and individual subjectivity. Creatively engaging with Western influences and classical literary traditions, Chinese writers and filmmakers we examine showcase how the Chinese reconstructed modern literature in relation to China’s nation-building process. All readings are available in English translations of Chinese originals. No prior knowledge of Chinese is assumed or required.
Course Outline
I. The Obsession with China
Course Overview & The Origins of Modern Chinese Literature
May Fourth Movement: Literature and the Nation
May Fourth Movement and the Salvation of Women
New Women on Screen
Iconoclasts of Modern China
The Lyrical Tradition of Modern Chinese Literature
II. The Lure of the Modern
New Sensationism and the Rise of Urban Centers
Constructing the New Woman
Women’s Writing and the Quotidian
III. New China and the Age of Revolution
The Beginning of the New Era and Root-Seeking Literature
IV. The Postmodern in Chinese Literature
Hong Kong and the Post-colonial Identity
Imagining the Post-human: From Science Fantasy to Science Fiction